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2009-04-24T03:32:00.000-07:00

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Four Seasons Hotel Buenos AiresFrom Wikipedia, the free encyclopediaJump to: navigation, search A major contributor to this article appears to have a conflict of interest with its subject. It may require cleanup to comply with Wikipedia's content policies, particularly neutral point of view. Please discuss further on the talk page. Four Seasons Hotel Buenos Aires.Four Seasons Hotel Buenos Aires is a part of the Toronto-based Four Seasons chain of luxury hotels and resorts. Four Seasons Hotel Buenos Aires is South America’s only “World’s Best Hotel” recognized by Institutional Investor and rated in the Top 100 International Hotels, Resorts and Spas by Zagat in 2006. It is located in the La Recoleta District, the cultural epicenter of Argentina.
Contents [hide]1 History 2 Hotel Restoration 3 Ilustred visitors 4 References HighlightsThe present theatre, the second with that name, opened in 1908 after twenty years under construction. The auditorium is horseshoe-shaped, has 2,487 seats (slightly more than, say, the Royal Opera House in Covent Garden, London, England), standing room for 1,000 and a stage which is 20 m wide, 15 m high and 20 m deep[2]. The acoustics are considered one of the best five acoustics in opera in the world.
The Colón in its Ninth of July Avenue setting.The theatre is bounded by the extremely wide 9 de Julio Avenue (technically Cerrito Street), Libertad Street (the main entrance), Arturo Toscanini Street, and Tucumán Street[3]. It is in the heart of the city on a site once occupied by Ferrocarril Oeste's Plaza Parque station.
Before the construction of the current Teatro Colón, opera performances were given in several theatres, of which the first Teatro Colón and the Teatro de la Ópera were the most important. The principal company that performed at the Teatro de la Ópera moved to the Teatro Colón in 1908. However, important companies also performed at the Teatro Politeama and the Teatro Coliseo which opened in 1907. For many years Argentina was a prosperous country with a booming economy, and the Teatro Colón was visited by the foremost singers and opera companies of the time, who would sometimes go on to other cities including Montevideo, Rio de Janeiro and São Paulo.
1864 view of the original Teatro Colón (left) and the old Plaza de Mayo colonnade, both long since demolished. The First Teatro ColónBy the mid-1850s, with the flourishing of opera performed by touring companies, the need for a new theatre became obvious. In 1854 alone, 53 different operas were performed in the city. The first Teatro Colón building, located in Plaza de Mayo, was started in 1856 and opened on 27 April 1857 with Verdi's La traviata, just four years after its Italian premiere. The theatre was designed by Carlos Enrique Pelligrini, father of the future president of Argentina, Carlos Pellegrini, and proved to be a successful venue for over 30 years, with 2,500 seats and the inclusion of a separate gallery reserved only for women. A reason why they built it was to demonstrate their power and independence and fulfill a rich cultural aspect of Argentina.
The Present Teatro ColónThe cornerstone of the present Teatro Colón was laid in 1889 under the direction of architect Francesco Tamburini and his pupil, Vittorio Meano, who designed a theatre in the Italian style on a scale and with amenities which matched those in Europe. However, delays followed due to financial difficulties, arguments regarding the location, the death of Tamburini in 1891, the murder of Meano in 1904 and the death of Angelo Ferrari, an Italian businessman who was the financing the new theatre. The building was finally completed in 1908 under the direction of the Belgian architect Julio Dormal who made some changes in the structure and left his mark in the French style of the decoration.
Night shot of the Teatro Colón in Buenos Aires, ArgentinaThe theatre opened on 25 May 1908, Día de la Patria in Argentina, with a performance of Verdi's Aida and it quickly became a world-famous operatic venue rivaling La Scala and the Metropolitan Opera in attracting the best opera singers and conductors.
Over the years, the Colón Theatre has hosted great composers like Igor Stravinsky, Richard Strauss, Camille Saint-Saëns and Arthur Honegger, conductors like Arturo Toscanini, Tullio Serafin, Ernest Ansermet, Thomas Beecham, Karl Böhm, Simon Rattle, stars of the Italian opera like Titta Ruffo, Amelita Galli-Curci, Giacomo Lauri-Volpi, Enrico Caruso, Claudia Muzio, Tito Schipa, Maria Callas, Renata Tebaldi, Maria Caniglia, Beniamino Gigli, Ebe Stignani, Luciano Pavarotti, Fiorenza Cossotto, Giuseppe Taddei, Carlo Bergonzi, Renato Bruson and Renata Scotto. International singers like Lily Pons, Miguel Fleta, Ninon Vallin, Georges Thill, Rosa Raisa, Gina Cigna, Zinka Milanov, Leonard Warren, Leyla Gencer, Victoria de los Ángeles, Fritz Wunderlich, Sena Jurinac, Elisabeth Schwarzkopf, Régine Crespin, Jon Vickers, Norman Treigle, Ingrid Bjoner, Irina Arkhipova, Teresa Berganza, Sherrill Milnes, Frederica von Stade, Beverly Sills, Alfredo Kraus, Plácido Domingo, Joan Sutherland, Birgit Nilsson, Montserrat Caballé, Martina Arroyo, James King, Christa Ludwig, Evelyn Lear, Elisabeth Grümmer, Waltraud Meier, Ghena Dimitrova, Thomas Stewart, Karita Mattila, Jose van Dam, Eva Marton, Jessye Norman and many others along with internationally renowned Argentinian opera singers Hina Spani, Elena Suliotis, José Cura, Bernarda Fink, Marcelo Alvarez, Adelaida Negri, Angel Mattiello, Victor de Narké, Delia Rigal, Ana Maria Gonzalez, etc.
Before and specially during the war years, conductors Erich Kleiber, Felix Weingartner, Fritz Busch and Otto Klemperer developed the "German Season" with singers like Lauritz Melchior, Lotte Lehmann, Helen Traubel, Viorica Ursuleac, Kirsten Flagstad, Marjorie Lawrence, Hans Hotter,Set Svanholm, Max Lorenz, Astrid Varnay, Tiana Lemnitz, Anny Konetzni, Friedrich Schorr, Karin Branzell, Emmanuel List, Meta Seinemeyer rivaling the Metropolitan Opera season during those years.
Ballet´s stars - Anna Pavlova, Nijinsky,Alonso,Nureyev, Fonteyn, Baryshnikov, Plisetskaya - performed at the Colón along Argentinians dancers like Julio Bocca, Paloma Herrera, Jorge Donn and instrumentalists from Arthur Rubinstein to Evgeny Kissin as the Argentinians Daniel Barenboim, Martha Argerich, Bruno Gelber and the brazilian Nelson Freire.
With excellent acoustics and modern stage areas, the theatre's interior design features a rich scarlet and gold decor. The cupola contains frescoes painted in 1966 by the renowned 20th century artist Raúl Soldi during renovation work

HistoryConstructed in 1992 and recently renovated, Four Seasons Hotel Buenos Aires is a 13-floor main marble tower that combines contemporary and French styles. Along with the main tower, the hotel includes a turn-of-the-19th century Louis XIV French-style mansion, which houses the suites. The Mansion was a wedding gift from Mr. Felix Alzaga Unzue to his wife Elena Peña en 1920. It is one of the oldest Mansions in the Recoleta area. The mansion adds a Parisian atmosphere with its stone façade and Belle Époque style. Four Seasons Hotel Buenos Aires currently houses 138 guest rooms, including 27 suites.
Hotel RestorationFrancisco Lopez Bustos is a Argentine architect who has worked on several 5 star hotels and embassies including the Irish and New Zealand embassies and business offices. His partner, Marcela Carvajal, is an expert in textiles. The restoration consultant for the Mansion also worked on the restoration of the Colon Theatre Opera House.
Suites on the first floor (101, 102 and 103) have been restored to reflect classical French and Italian Styles. Suite 101 has a French Neoclassical style, but with contemporary accents. Its decor features woven and printed silks, lacquered wood, and fine marbles. The bedroom has a Luis XV and Luis XVI style. The dining room presents a more eclectical French style of the 20th Century. This room contains an armoire with Boulle marquetry, in a Napoleon III style. The living room contains two small cupboards in Chinese lacquer with Coromandel panels. All of these pieces were made in Paris during the 19th Century. An exact replica of Luis XVI's library has been made for the living room. This room also contains a Luis XV desk.
Suite 102 has a more eclectic style, yet keeping a classic-contemporary French spirit. Its living-room is decorated in a Pompeian style.
Suite 103 is closer to an Italian Belle Epoque style, and presents a livelier shade of colors. The sitting room contains a restored Persian carpet from the late 19th Century. The dresser in the bedroom is of the Belle Epoque Style, though French.
Suites on the second floor are decorated in a more intimate style, closer to English townhouses or French provincial, with period upholstery such as Toile de Jouy wall panels and draperies. Ilustred visitorsMadonna The Rolling Stones Michael Jackson U2 Juliet Binoche Robbie Williams

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